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Well, look at that – I got a second Daily Deviation! Can't complain about the free publicity, hm? It just so happens that I was already thinking of writing an art-related blog post, so I figured that now would be as good an opportunity as ever.
I was talking to Sir-Iggs some time ago about MOCers' personalities, and how it affects their popularity. I know that we should view artwork and artists' personalities as two entirely independent things, but I've experienced MOCers with (for lack of a better word) repulsive dispositions receiving less positive feedback than their creations would otherwise suggest.
Perhaps it's a question of context. After all, if you know the considerations and effort that went into the construction of a MOC, surely you can then appreciate it more as a work of art?
In fact, RattrapsTail described me as being one of the most personal MOCers that he knows: "Because one can get to know a fair bit about your train of thought by merely reading your journals". It was a strange realisation, but I certainly see where he's coming from, given how openly I write most of these blogs and how enthusiastically I participate in the deviantArt MOCing community. Most importantly, I feel like many of you know and understand me as a person.
On the other side of the spectrum is retinence, who, I think it's fair to say, is rather more reserved. He's a perfectly respectable builder, of course, and one whom I admire. Come to think of it, he and I are the only two MOCers with two Daily Deviations apiece. And yet, I wonder how many people on deviantArt can claim to know him. Perhaps it's intentional; only after dissociating oneself from the artwork can the artwork be judged solely on its own merits.
This makes me think of a documentary I watched about technologies that have been introduced over the years, and their inventors. One argument they made was that the success was not necessarily held by the one who discovered the phenomenon, or even the one with the more effective product; it was the person who sold the idea, the one with social skills, who received the fame. As with anything that's in the public eye, it's all about showbusiness.
I feel like I'm struggling to make my point (partly because I don't really have one). My question for you, humble reader, is this: let's say that I never wrote any journals. Let's say that my Artist's Comments were minimal, and that I presented each MOC individually in silence. Or, heaven forbid, let's say that Hero Faffory did not exist, nor any other non-MOC deviation for that matter. How would your opinion of me change, if at all?
Ah, it feels good to write a short blog post once in a while. Thanks for reading.
Skin by Nesmaty
Older dog, old tricks
Yeah, it's been a while. My last activity on here was in December 2016; how time flies. I've done a lot of things in the last three years, none of which (I'm afraid) was deviantArt-related. I had other stuff to do, you know? I graduated from university with first class honours, got a job as a civil engineer, realised that concrete wasn't for me and became a software engineer instead. I went from coxing to rowing to coaching at my boat club, played for my college's first badminton team, and ran three half marathons. I sang solos in concerts that I organised, played in the university's most prestigious orchestra, and taught myself to play trombone. I became an event photographer and photographed three weddings. I spent almost a month in Japan, swam with dolphins, bought a car and promptly got on the receiving end of a crash (thankfully uninjured). I've been in two relationships, neither of which lasted more than five months, and I've lost count of the number of times I've been turned
Long-term neutral
This journal is in two halves: the first is a life update, and the second is about MOC groupshots.
:bulletblack:
It looks like I’ve done a reflection journal every other year, going off two data points (let’s not delve into pre-2011 Rahiden, shall we?). I’ll keep it brief.
On the whole, 2016 was… eh. Neutral. I think we can all agree that 2016 was a bit of a shambles globally-speaking, though the repercussions have yet to make any tangible impact on my personal life so I shan’t let that bother me. On paper you could argue that my year was pretty substantial: I got a good grade in my exams this year, I dated a
Fold
Quick update journal!
As you've probably gathered, university has brought my deviantArt activity to a virtual halt; this is the first journal I've written in almost a year, and I've only made one MOC so far in 2016. This is more of a statement than an apology, I suppose... Bionicle is towards the bottom of my priorities list now (below academics, many extracurriculars, and maintenance of a sufficient social life) and that's just how it is. There's material for a future journal on the topic of Guilty Sadness but I shan't make any promises about whether it'll come into fruition.
Anyway, the main point of this journal is to say that I won't be
The God Luck Charm
I used to be a hostile atheist.
I used to be that kid who would actively try to convince others that science, and thus atheism, was the only true way to live life, and that the beliefs of religion were simply wrong. “Look at all this evidence!” I would say. “We’ve proven this stuff! How can you still cling to that outdated nonsense?”
I used to enjoy mocking the Bible’s inconsistencies back when I wrote my first ever essay-style journal entry in early 2012, titled ‘My thoughts on religion’. While much of the material in it still applies, I detest that entry because it misses the point entirely
© 2013 - 2024 Rahiden
Comments35
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This is a good one.
From a purely psychometric perspective, art is a person's expression regarding their experience, perception and maniulation of reality. If a person's art is unique, this is recognised and thus their view of the world can be held as "special". Like the person with Asperger's syndrome, they see patterns in the world that no-one/few others see and link them together in art.
So, I ask myself, what's the difference between this perception and their personality?
First, let me establish a divide. There is a difference between what is established here - on a website, where communication is a stipulated action - and a neutral environment; an art gallery, for instance. Here, I can interact with artists and actually get to know them; vice versa. In an art gallery ("neutral environment"), I can't do that, either because the artists in question are dead or on the other side of the planet (both, in some cases). In an art gallery, I am forced to judge a person according to their art - rathermore, the expression of their perception of reality. Any link between their art and their personality never exists in the first place.
Here, on dA, a link between perception and personality is draw - and I am unsure if it rightfully so. A communicative, articulate and, above all, likeable person such as yourself can only contribute to the reception your art gets by, uh, blogging. I can see the art and the person - and if the person is essentially an arsehole then I am liable to wonder if they deserve the attention their art lends them; if they're a wonderful, intelligent person then I am inclined to appreciate their art more and say so.
In some respects, what a person communicates often involves their perception of the world. Which is interesting. If Person A any different from their e.g arseholey nature, would their art be the same?
It's only a new development in the past decade or so that has allowed artists to "meet" each other the world over via the internet. Popularity is gained - and lost - far more easily than when good artists had to wait long periods of time for their art to circulate and gain value amongst the art community.
I can quite definitively say: if you didn't post those little (xD) journals of yours I would have lost interest in your work some time ago.
TEXT WALLLLLLLLL
From a purely psychometric perspective, art is a person's expression regarding their experience, perception and maniulation of reality. If a person's art is unique, this is recognised and thus their view of the world can be held as "special". Like the person with Asperger's syndrome, they see patterns in the world that no-one/few others see and link them together in art.
So, I ask myself, what's the difference between this perception and their personality?
First, let me establish a divide. There is a difference between what is established here - on a website, where communication is a stipulated action - and a neutral environment; an art gallery, for instance. Here, I can interact with artists and actually get to know them; vice versa. In an art gallery ("neutral environment"), I can't do that, either because the artists in question are dead or on the other side of the planet (both, in some cases). In an art gallery, I am forced to judge a person according to their art - rathermore, the expression of their perception of reality. Any link between their art and their personality never exists in the first place.
Here, on dA, a link between perception and personality is draw - and I am unsure if it rightfully so. A communicative, articulate and, above all, likeable person such as yourself can only contribute to the reception your art gets by, uh, blogging. I can see the art and the person - and if the person is essentially an arsehole then I am liable to wonder if they deserve the attention their art lends them; if they're a wonderful, intelligent person then I am inclined to appreciate their art more and say so.
In some respects, what a person communicates often involves their perception of the world. Which is interesting. If Person A any different from their e.g arseholey nature, would their art be the same?
It's only a new development in the past decade or so that has allowed artists to "meet" each other the world over via the internet. Popularity is gained - and lost - far more easily than when good artists had to wait long periods of time for their art to circulate and gain value amongst the art community.
I can quite definitively say: if you didn't post those little (xD) journals of yours I would have lost interest in your work some time ago.
TEXT WALLLLLLLLL